Liar Liar Pants on Fire

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Prudence and I gathered today planning on filming a couple of sketches. Instead we bonded over a mutual appreciation for flatulence anecdotes and spent the rest of our Sunday afternoon taking the comedic high road as we edited together what we believe the Belle Gibson interview on 60 Minutes should have gone like.

Enjoy.

Stay classy, Australia.

UPDATE: Looks like we’re not the only fans of classic low-brow gags… Thanks for being so quick on the uptake, Pedestrian.tv! Check out the article here

UPDATE: Wow. 11k views in the first 24 hours?! What a sophisticated bunch we are. Makes me question why we ever bother scripting intelligent comedy.

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Parody Parade

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What do you know about faaaaahshion? Looking at the woman above, do you realise that you in fact know absolutely NOTHING? It’s time for a gobfull of guidance, layperson.

All the rest of our fVogue “it girls” here.

And if you’d like to see our “inspiration”, check out the Vogue Italia Interviews.

Trailer Blazin’

After receiving the first little bit (in hopefully in a long line) of festival attention last week, I present to you the long-awaited trailer for Winning Formula – a comedy feature film I wrote and, alongside Prudence Vindin, starred in.

Go ahead and watch it repeatedly, and share the pants off it. Por favor.

The Reel Deal

Holy moses, I’ve finally cut together a reel! Hopefully this gives you, my discerning reader, a solid impression of the projects I’ve been involved with over the past three years. That impression will hopefully be described by you, while you share the living daylights out of it over social media, as “a fun-as-f**k film portfolio of frothpocalyptic proportions”. Go forth.

For more of my film work (and full length videos), check out claudiaflick.com

Credits

Films in this reel:

‘Frisky’ (feature film), Brass Razoo Collective, 2015. (Director, Writer, Producer)
‘Winning Formula’ (feature film), LFL Entertainment, 2015. (Writer, Producer, Art Director)
‘FroyOG’ (music video), Heaps Funny Shorts, 2014. (Co-director, Writer, Producer)
‘Keith and Kev’ (webseries), Heaps Funny Shorts, 2013. (Co-Director, Writer, Producer)
‘Wookie Error’ (webseries), Heaps Funny Shorts, 2012. (Co-Director, Writer, Producer)
‘Cupid’s Arrow’ (short film), Emma Leonard, 2012. (Cinematographer)
‘Dead Broke’ (pilot), Do It Live Productions, 2012. (Writer, Producer)
‘Pissy Chrissy’ (music video), Do It Live Productions, 2011. (co-director/writer/producer/editor)
‘Banjacks and Pervis do Hackney’ (webseries), Do It Live Productions, 2011. (Co-Director, Writer, Producer)
‘Sebring feat. Danny Trejo’ (music video), Do It Live Productions, 2010. (Co-Director, Writer, Producer)

Music:

‘Dropping Out Of School’ – Brad Sucks
jamendo.com/album/31187/
Licensed to the public under creativecommons.org/licenses/by-sa/3.0/

P.S. I moved back to Sydney. YEW!!

Boobs and Bridges

Frisky Film Movie Poster

Talk about Northern exposure… Or NorCal exposure…

Slap your eyeballs all over the poster for my feature film directorial debut, “Frisky” (director/writer/producer).

Frisky is a comedy feature film about two twenty-somethings who move to San Francisco to chase their career, but end up chasing tail instead.

Very high brow stuff, as the poster implies.

The film is a patchwork of my own experiences (or things I witnessed others doing) throughout my move from Sydney to Los Angeles for film school in 2009, then again to shoot a pilot in 2011, then for love from LA to San Francisco in 2013. Only it’s just one story. And it’s heaps good. For serious. And the writing. Also good. Like this paragraph. But seriously, it’s going to be a ripper of a film, so stay tuned for more very shortly.

As for the poster, The finished product holds true to the original concept sketch that I drew on the back of a script to pitch the idea to Christiana, the film’s cinematographer/DP and the poster’s photographer. I then fiddled for more time than what is reasonable with the graphic design in Photoshop to produce this beauty!

We’re hella legit. Even IMDb reckons so... So keep an eye on our Facebook Page for the San Francisco screening in late March 2015.

Postal Party!

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So legends keep doing nice stuff for me and special occasions keep popping up so I keep on posting out the personalised greeting cards! Here’s the latest crop…. I hope everyone had a very merry Christmoose.

SFX = Scale Firey Explosions

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There are many reasons for my comedy feature film Winning Formula (writer/producer) to have taken about three and a half years since its original conception with Anna Bennett as “Dead Broke” in 2011. Personally, it was my first feature film so everything was a learning curve, but at every road block we pushed forward. There was no less than a metric shit ton of improvised problem solving at each turn. Not sure what that converts to in imperial, but by anyone’s standards, the quantity of shit was immense.

Included in the pile, was a car explosion scene that I had written into the script (rookie) and we had nonchalantly said during production “we’ll do it in post” (double rookie).

Fast forward to post production, we discovered quite far down the line that two significant (and rather large) scenes needed to be reshot due to audio issues that could not be adequately rectified with ADR (which was a blessing in disguise as they were reshot as far more impressive scenes than the originals). The only thing was, we blew the budget that was set aside for the afore mentioned explosion scene.

Bummer.

When post production gives you lemons… bugger lemonade, make it into Smirnoff Ice. We’re turning this scene into a classic gag, using scale models à la Indiana Jones… AKA “traditional special effects” (AKA waaaaaay cheaper than the real deal).

So I’m thinking to myself – where do I go to find someone with a penchant for pyrotechnics, a whole lot of property, and a solid collection of earth moving equipment? It’s got to be my Burning Man mentor, Glenn.

Klaus and I researched fake explosions (it’s corn starch, not just regular flour, by the way), we ordered some miniatures of my car online (they only came in blue so we sprayed them sliver), then Glenn took to the side of his driveway with a bobcat and our scene was set.

So here’s my appalling cut of our explosion scene – the cut that ended up in the film is far shorter, with far craftier editing, so you’ll have to watch that when it screens (keep your eyes locked on the facebook page)… But in the meantime…

(If we lock in a decent distribution deal, we’ll reshoot the explosion scene at full scale. My fingers are firmly crossed.)