Boobs and Bridges

Frisky Film Movie Poster

Talk about Northern exposure… Or NorCal exposure…

Slap your eyeballs all over the poster for my feature film directorial debut, “Frisky” (director/writer/producer).

Frisky is a comedy feature film about two twenty-somethings who move to San Francisco to chase their career, but end up chasing tail instead.

Very high brow stuff, as the poster implies.

The film is a patchwork of my own experiences (or things I witnessed others doing) throughout my move from Sydney to Los Angeles for film school in 2009, then again to shoot a pilot in 2011, then for love from LA to San Francisco in 2013. Only it’s just one story. And it’s heaps good. For serious. And the writing. Also good. Like this paragraph. But seriously, it’s going to be a ripper of a film, so stay tuned for more very shortly.

As for the poster, The finished product holds true to the original concept sketch that I drew on the back of a script to pitch the idea to Christiana, the film’s cinematographer/DP and the poster’s photographer. I then fiddled for more time than what is reasonable with the graphic design in Photoshop to produce this beauty!

We’re hella legit. Even IMDb reckons so... So keep an eye on our Facebook Page for the San Francisco screening in late March 2015.

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SFX = Scale Firey Explosions

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There are many reasons for my comedy feature film Winning Formula (writer/producer) to have taken about three and a half years since its original conception with Anna Bennett as “Dead Broke” in 2011. Personally, it was my first feature film so everything was a learning curve, but at every road block we pushed forward. There was no less than a metric shit ton of improvised problem solving at each turn. Not sure what that converts to in imperial, but by anyone’s standards, the quantity of shit was immense.

Included in the pile, was a car explosion scene that I had written into the script (rookie) and we had nonchalantly said during production “we’ll do it in post” (double rookie).

Fast forward to post production, we discovered quite far down the line that two significant (and rather large) scenes needed to be reshot due to audio issues that could not be adequately rectified with ADR (which was a blessing in disguise as they were reshot as far more impressive scenes than the originals). The only thing was, we blew the budget that was set aside for the afore mentioned explosion scene.

Bummer.

When post production gives you lemons… bugger lemonade, make it into Smirnoff Ice. We’re turning this scene into a classic gag, using scale models à la Indiana Jones… AKA “traditional special effects” (AKA waaaaaay cheaper than the real deal).

So I’m thinking to myself – where do I go to find someone with a penchant for pyrotechnics, a whole lot of property, and a solid collection of earth moving equipment? It’s got to be my Burning Man mentor, Glenn.

Klaus and I researched fake explosions (it’s corn starch, not just regular flour, by the way), we ordered some miniatures of my car online (they only came in blue so we sprayed them sliver), then Glenn took to the side of his driveway with a bobcat and our scene was set.

So here’s my appalling cut of our explosion scene – the cut that ended up in the film is far shorter, with far craftier editing, so you’ll have to watch that when it screens (keep your eyes locked on the facebook page)… But in the meantime…

(If we lock in a decent distribution deal, we’ll reshoot the explosion scene at full scale. My fingers are firmly crossed.)

Winning Wiggler

There’s no firm (ha) excuse for this gratuitous (or should I say gratuit-ass) bot-bot video, but hey – it’s a teaser. And it’s my bot-bot. And my movie. So please, enjoy.

… I promise there’ll be a real trailer shortly. And a real movie too.

In the meantime, check out the Winning Formula facebook page for updates.

Poster Rollercoaster

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My favourite part about wrapping production on a film is blabbing about it to EVERYONE (as long as post is going smoothly). And what better way to blow my own trumpet than to make a killer poster, and slap it on every last inch of the internet?

In the week between wrapping Winning Formula in Los Angeles and me moving to San Francisco, I bought a shockingly cheap photo studio setup – 3 softboxes and a backdrop rig – and got the entire cast to come in and have their character photos taken for promotional purposes.

During this session, Prudence and I shot the poster as per my concept sketch.

… Or at least what I thought the poster would be. I saved all of this work at very low resolution to my google drive, then promptly had my laptop and camera (with backup images on the SD card) stolen, as you well know, faithful follower of my blog, Klaus.

So there I was with a film poster that was unprintable. Bloody useless for all the good people at Sundance and Canne who will be champing at the bit to get their clammy hands on a full size 27″x40″ 300dpi poster for my micro-budget slapstick comedy. Because if there’s one thing I know, it’s that those good people love micro-budget slapstick comedy.

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Prudence Vindin and Claudia Pickering with George Clooney leaving Canne in a limo in the future. He has really enjoyed Winning Formula. They are indulging in Moët mimosas.

A new poster was needed. Lucky for me, Pru was back in the United states a few months later, and we still had access to our costume headdresses (which were later stolen, so this really was our last shot at it).

We strung up some white fabric in Cassie’s (the costume designer) house, and with the help of Klaus, we reshot a poster far superior to the original. YEW!

Winning Formula Film Poster

From the vault: Going for Gold

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With all of this hoo haa surrounding the upcoming 2014 Winter Olympics in Sochi, Russia and the recent announcement that Tokyo will be the host of the 2020 Olympic Games for the second time; I thought I’d post something relevant. And frankly, I froth for the Olympics and our little Aussie rippers going for gold.

Here is a short film Anna and I shot last year shortly before the 2012 London Olympic Games as a part of the Banjacks and Pervis series.

By coincidence it had a few similarities of the 2012 Absolutely Fabulous episodes aired shortly after we shot it. We were jazzed as the eternally hysterical Jennifer Saunders is our creative role model and this basically proves that our minds are one.